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| Ed Setrakian, actor/director www.edsetrakian.com |
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RESUME ACTING BROADWAY: SALOME (with Al Pacino), ALMOST AN EAGLE, DAYS IN THE TREES, ST. JOAN MANHATTAN THEATRE CLUB: NINE ARMENIANS NYSF PUBLIC THEATRE: OTHELLO, JACKSON¹S DANCE, HAMLET, MACBETH REGIONAL THEATRE: SIXTEEN WOUNDED (Long Wharf Theater), THE BOYS NEXT DOOR (Pasadena and Cleveland Playhouses), A PLAY OF GIANTS (Yale Repertory), OF MICE AND MEN (Purdue University), THE PETRIFIED FOREST (Walnut Street Theatre), ARTURO UI (with Al Pacino; Charles Street Theatre), RICHARD III (Dallas Shakespeare Festival), TWELFTH NIGHT (St. Clements Theatre) FILMS (Featured roles in): UNDER NEW MANAGEMENT, TICKLNG LEO, ZODIAC, DAY AT THE BEACH, SALOMAYBE, ASTORIA, LOOKING FOR RICHARD, GREAT NEW WONDERFUL, DOUBLE OR NOTHING, COOKIE, THREE DAYS OF THE CONDOR, THE TROUBLE WITH HARRY, TOUGH GUYS DON’T DANCE, DRAGONFLY, THE NEXT MAN TELEVISION: "Tommy" in THE SOPRANOS; Featured three times on LAW AND ORDER; Major Role on COBB’S LAW with Walter Mathau - CBS; Running parts on ALL MY CHILDREN, RYAN’S HOPE, ONE LIFE TO LIVE, THE GUIDING LIGHT Numerous on-camera commercials, voice-overs and narrations.
DIRECTING Ed Setrakian has a long career as an Off-Broadway and regional theatre director. For two years he was director of the La Mama Ensemble. Among the experimental plays directed there: HOMO AND THE QUEEN OF GREECE, STIMULATION, MYTH OR MAYBE METH and others. Off-Broadway he directed EASY MONEY, the musical MADAM BOVARY, THERE /THIS/MOVE, THE WOUND OF LOVE, MY FATHER’S HOUSE among others. He directed several major productions at the Actors Studio including THE MEMOIRS OF P0NTIUS PILATE by Eric Bentley, and SILENT PARTNERS by Clifford Odets. Among his regional credits are the musicals MOLLY’S DREAM, MACDOUGAL STREET and FINIAN’S RAINBOW. Developmental workshops include: WONDERFUL COUNSELLOR and HANDICAPPED PEOPLE IN THEIR FORMAL ATTIRE at The Actors Studio, The Lark Theatre, and Urban Stages. He wrote and directed the documentary THE GROWTH OF OUR CHILDREN.
For more information on Ed Setrakian's work,
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